Monday, November 28, 2016

Women In Transit: Morgana Wilborn

                                     words by Marco Smith                                                                      Photo Cred: Emily McCartney


I met Morgana at a school board election event last year.  I knew her the way you first get to know people nowadays which is obviously through social media.  We had a mutual friend so I had the opportunity to introduce myself and let her know I was a fan of her work.  When you first meet her, her appearance is soft.  Her skin is fair, with piercing eyes, a bright smile, and little freckles that were individually placed in their own perfect location on her face.  It’s disarming to say the least.  But it was in our first conversation regarding our perspectives on the Dallas art scene that I really get a glimpse into her personality.  It was this hilarious down to earth, matter of fact, no holds barred dialogue laced in a southern accent that would make all of us born and bred Dallasites proud. You can tell that she has an old soul just in how she interacts with people.  Bottom line is......she is cool as hell.  Needless to say our rapport continued when it came time to sit down and chat for this feature.  The self-professed dreamer-creator is someone who is very proud of where she came from and how she grew up.  “I come from a family of strong women and it’s been an inspiration for me.  I’m very nonconformist and am about action and moves for women of color” she says.  The strength that she derives from is very indicative in her demeanor.  In the daytime she is the Director of Education for the Dallas Theater Center housed at the Wiley Theater. When she’s not doing that you may catch her behind the lens of a camera capturing life.  But that is just the beginning of Ms. Wilborn.


IT: What led you to do what it is you do now or how did you get started?
MW:  For me I got into it through my father.  He taught me how to use my first Minolta camera.  He took beautiful pictures and he made me fall in love with it.  I was even his little model from time to time as he would practice his craft.  I studied a bit in high school and took it with me through college.  I love capturing people in their truest, rawest form.  My dad always wanted a studio and when he passed it inspired me to start my own photography business.  I stepped away from it for a bit because I was focused on the education of my students but a friend encouraged me to start focusing on my art for myself.  So I began doing less paid work and more personal projects and PhotoNoire was birthed out of that.

What is your opinion of the art scene here in Dallas?
Ha! We’ve had this conversation before.  For me or at least my experience there are two sides to it.  It’s almost elitest.  There is a group that have their own crew and own following and you may not be part of that team.  Then there is a more organic group of people who just love to create and that’s the scene that I like to be apart of.  I just like a collective of people who are not shy about what they are creating and who are not selfish in sharing knowledge.  I mean we see the same people plastered everywhere and that’s great because a lot of them have been working hard for a very long time.  But they are not the only great people out there.  There are some really talented people out there with great work who get overlooked.  I try not to follow the same stigma of “booty shots” and “hipster headshots”.


                            Photo Cred: Emily McCartney

What were your early influences artistically?
My Dad is one definitely in terms of photography.  I love a lot of photography from the 20s like James Vanderzee.  Just how he photographed black people was royalty.  I want anything I do to look half as good as that.  And my number one is Cindy Sherman.  She is my favorite photographer of all time!  She does self-portraits and hers are really theatrical.  I love her…she’s pretty magical.

What has been your experience being a female artist positive or negative?
Well from positive perspective I feel like I can do a lot of work for myself and my friends and other women who maybe battling with their own body and self-image issues.  They’re comfortable with me and my work knowing that I’m going to represent them well. There are those moments when people may not take my work seriously as a woman.  I’m ok with my photography not being perfect.  A lot of people do a lot of extra stuff with their work and I just don’t think that is necessary.  You just have to create what’s yours and I refuse to conform.

                            Photo Cred: Emily McCartney

What inspires you?
What inspires me is the fear of being stagnant.  The fear of being complacent. The fear of not growing or not experiencing.  That is what drives me

What gives you the most joy in doing what you do?
Just the magic of it and the beautiful things that I see that are unseen.  When I get to do it and it’s like “man that was a beautiful moment” and all these different photos that I’ve taken in my life have been powerful moments that stay with me. That brings me joy.

                        Photo Cred: Emily McCartney

What is it in your opinion that you bring to the table artistically that is unique to you?
I think for me I’m just bringing my perspective and my story.  Because everybody has a different story when they create.  No artist is the same.  But my stories are my own and I’m blessed that people trust me to capture their stories too.  It may not be perfect but I pride myself on being perfectly imperfect.

Ok, so what’s next?
I have so many ideas. Now that I’m comfortable in my new position at work I can get back to creating.  I want to do a series of various women I want to work on and I have this obsession with I-45 I want to work on.

You can check out more of Morgana and her work here

                            Photo Cred: Emily McCartney

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